My daddy

Jan. 22nd, 2025 09:14 pm
maeve66: (1965 Patrick)
I don’t have a whole lot of really early memories. It’s a question I pose once a year to my middle school students – “what is a strong very early memory you have – and if you have family photos of it, it might not be your memory, but your family’s”. But many of my early memories are of my father.

Possibly the first strong memory I have is when I was three or four. We lived on West Main Street in Madison, Wisconsin, and the first floor flat was tiny – a living room, a kitchen, and one bedroom and a bathroom. I slept in an iron-barred crib, separated from my parents’ bed by a green and white India print improvised curtain.

I think this may be a memory of something I did more than once. I remember that after I learned to climb over the bars down to the floor, on nights that friends and fellow activists were over, I would sneak out of my crib and go stand quietly in the entry to the living room, concealed, mostly, by another India print curtain, and I would eavesdrop on the grownups and especially on my daddy and his passionate positions on the anti Vietnam War movement, on tactics and ways to build the antiwar movement. Eventually I would be caught, claim I needed a glass of water, and be returned to my crib.

My father frequently said that he was never wrong. I both waged an endless battle to find something he WAS wrong about, and implicitly believed it. He was never wrong, about anything. I built the highest, most polished, most ostentatious pedestal ever and placed him on it – to the point that even he finally tried to tell me to cool it, once I was a freshman in college. But I don’t think I recognized until my early thirties that no one at all, ever, should be on a pedestal, and that every single human being has feet of clay. So I know that he was not ALWAYS right… but he was still right an awful lot of the time, from his phenomenal memory for facts of all kinds to his instincts for politics, tactics, and strategy.

Children often become not what they are told to be, but what they see modeled for them. PQ never TOLD me I should be a socialist, stand up for unions and ordinary working people, look at how the world could be made fair and equal for all, regardless of difference. But he lived that life, and my sister and I absorbed it.

I remember that on the nights that my mother worked late, my father would make up a bedtime story before tucking me in. In 1970 those stories featured heroes like Che Guevara, Bernadette Devlin McAliskey, a leader of the Nationalist struggle for Civil Rights in the North of Ireland, and Tony Benn, a radical, maybe revolutionary leader in the British Labour Party. I was very surprised, once I was in my 20s, in Britain, to find that Benn was not a long-haired radical militant, but a white-haired Labour MP. He even went to the trouble of researching Russian revolutionary history to try to find (or invent) a Russian princess who sided with the Bolsheviks. I have no idea if this person was real, or not.

Possibly he was thinking of a real woman from the Russian upper class who was a revolutionary in the ‘teens, Inessa Armand. He named our black cat Inessa, anyway. My dad loved cats, and he always gave them interesting names – Inessa, for the revolutionary woman who had an affair with Lenin; Clio, for the Muse of History, Philo for Philo Judson, one of the founders of Evanston, Illinois, who laid out the streets and served as a Census Enumerator. Judson, also for Philo Judson. Three Burmese cats he bought as a gift for a friend were returned because Lee Steinberg’s parrot was scared of them. So the Burmese went on a second plane flight and he took two of them and gave my mom the other – He named one Exley after one of his favorite authors, Frederick Exley, one Frida after Frida Kahlo, and one Malcolm, after Malcolm X. His last little female Siamese was actually named by Mary – Jerusha, the wife of Philip Maxwell, one of the early notables in Lake Geneva. But PQ, having a very strong sense of aesthetics, enthusiastically endorsed the name

I also remember less political moments, like Sunday mornings in Madison when I was five or six years old and my dad would put me up on the back of his old black bicycle (no child seat – I would just carefully stick my legs out, and clutch his belt) and cycle off to look for a Sunday paper and occasionally go out to Sunday breakfast in a cafe on Williamson Street… not the Willy Bear Cafe – that opened later. Then he’d cycle back to Dickinson Street, a Sunday ritual observed. I remember one time, he bought a coconut and brought it home. He got Rachel and me to inspect it, feel it, smell it, thump it, shake it and hear the sloshing. Then he took a literal machete, whacked it open on the kitchen floor, gave us pieces of coconut, and finished his performance by telling us to look at his bicep and squeeze it, noting that it was the same size as the coconut.

Not long after that, he got laid off and blacklisted from the State Historical Society of Wisconsin, and while he was applying all over the place for jobs, he also got day work at the labor hall as a construction worker. He’d been trained by his uncle (and used as forced labor) as a kid, but if he was lucky enough to be chosen to work that day, he would be doing the unskilled heavy labor. Every night when he came home, I would unlace his work boots, tug them off and put them away, hang up his yellow hard hat, and then get a beer and popcorn for him while he sat, exhausted, in his black vinyl armchair, watching the evening news.

I remember him talking about how much he wanted to follow where the Rand McNally maps showed the highways going when he was a little kid in Lake Geneva, but how he never traveled further away than Chicago and Milwaukee, for baseball games, until he was in high school and went on his senior trip. He was determined that my sister and I would learn about the United States and about other places in the world through travel (I mean, as much as he could afford). We went on long car vacations every August from when I was a toddler until my parents’ split. By 1978, we had traveled to 38 states and most of the Canadian provinces, and one of the two remaining French territories in Canadian waters, St. Pierre. Otherwise, he introduced us to the idea of other cultures by having us go out to eat almost every Friday night to a different cheap storefront restaurant in Chicago, each time a different cuisine. Yes, Chinese and Italian and Mexican and Greek, but also German and Polish, El Salvadoran and Puerto Rican, Korean and Vietnamese, Japanese and Thai, Cambodian and Irish, Portuguese and Persian, Lebanese and Pakistani and Indian.

My dad had a mania for getting us to memorize facts like the fifty states and their capitals, quizzing me relentlessly. He would ask both of us random fact questions all the time – making us into excellent takers and passers of standardized tests. And almost every Christmas gift he gave me was educational – a globe, an enormous illustrated dictionary, a one volume children’s encyclopedia which I was still using sometimes in middle school. He crowned this when I was a sophomore in college, leaving for England to do my Junior Year Abroad – I went two months before the October start of the school year, and just before my departure, he gave me a six week Eurail pass, which I used to travel, by myself, to Paris, Amsterdam, Stockholm, Gdansk in Poland, Paris again, Parma and Venice, in Italy, Paris again, Oviedo in Spain, Lisboa in Portugal, and finally back to England.

My dad thought his daughters were the most brilliant, the most beautiful, the most political, the most everything. He was overwhelmingly proud of us – and later, of his granddaughters, also the most brilliant, the most beautiful, the most political, the most everything.

One of my dad’s friends in Mexico, Peter Gellert, quoted the playwright and poet Bertolt Brecht to describe PQ’s life:

“In Praise of the Fighters”
There are men who struggle for a day and they are good.
There are men who struggle for a year and they are better.
There are men who struggle many years, and they are better still.
But there are those who struggle all of their lives:
These are the indispensable ones.”

I would add one more Brecht poem, illustrating the attitude to history which PQ passed on to his daughters and granddaughters:

“Who built Thebes of the seven gates?
In the books you will find the name of kings.
Did the kings haul up the lumps of rock?
And Babylon, many times demolished.
Who raised it up so many times? In what houses
Of gold-glittering Lima did the builders live?
Where, the evening that the Wall of China was finished
Did the masons go? Great Rome
Is full of triumphal arches. Who erected them? Over whom
Did the Caesars triumph? Had Byzantium, much praised in song,
Only palaces for its inhabitants? Even in fabled Atlantis
The night the ocean engulfed it
The drowning still bawled for their slaves.”

When Patrick Quinn said that he believed the wave of genealogy sparked by Alex Haley’s Roots offered the bricks and mortar of a new social history, he was also echoing his belief in the strength, worth, and future of working people:

“Nothing’s too good for the working class”
maeve66: (Jane Miller 1934ish)
... by Isabel Wilkerson.

I thought I'd read this before, but I think I bought it and then mentally collapsed it into the collection of all the primary sources, historical monographs, and fiction I HAVE read on the topic -- Zora Neale Hurston, Richard Wright, Hortense Powdermaker, W. E. B. DuBois, Arna Bontemps, Langston Hughes, the papers of the Louisiana Central Lumber Company.

Anyway, I'm reading it now, and it is as excellent as I thought it would be. I want to read Caste, too. And then watch Ava DuVernay's Origin.

One thing it makes me remember is the anomaly of my grandmother's poetry notebook I found after her death, hand-typed in the early 1930s when she was in the only year she had of community college (at least I think it was one year? I know she didn't actually finish... add it to the dozens of questions I wish I had asked her and will never be able to ask her now).

She had typed copies of the poems she particularly liked, to which I assume she was exposed in Kansas City, Kansas around 1933 or so. The icon for this entry is a photo of her in KCK sometime close to then.

The poems were an eclectic mix, but the ones that caught and held my attention were the ones from the Harlem Renaissance, STILL UNDERWAY. How did a young white woman encounter and love these poems? Who was the professor at whichever junior college this was? I don't even know which college she went to for a year or two before marrying her high school boyfriend Dick Miller.

Countee Cullen -- there were at least two of his. Langston Hughes, too. Arna Bontemps.

It's another bit of evidence that complicates the expectations of history of race, and for that matter, gender. My grandmother's future sister-in-law was a lesbian (known to her family), living with her partner in Kansas City, by the late 1930s. Was my grandmother aware of Countee Cullen's or Langston Hughes' rumored (more than rumored in Cullen's case) sexuality? On the other hand, that same future sister-in-law, my great-aunt Billie Miller (actual name Willanore, a combination of her grandmother's and grandfather's names) was herself a horrific racist. Her family was in fact the first exposure I had to racist white people in my life, when I met her sister and more, her sister's husband, in Springfield, Missouri when I was four. Aunt Pat gave me my first Barbie, in fact, during that visit. I named the doll Malibu, which was the style of Barbie she was. Such a tangled weird tapestry.
maeve66: (Default)
... well, not that random. I just finished a new YA historical fiction book (one of my very favorite genre categories) and it reminds me that that this is a sort of niche genre I fucking adore: WWII historical fiction-on-the-homefront. I have read an awful lot of it. Herewith is a sort of round-up. I am not sure how complete it will be.

First, the Ur WWII homefront-Britain-evacuation story: C. S. Lewis's The Lion, the Witch, and the Wardrobe -- yes, it's a Christian allegory, and yes, that even annoyed me at the time ("the time" was probably when I was ten years old, and definitely deciding on atheism, which I had been basically raised, but with a recruiting nun-great-aunt), with Aslan/Jesus, sacrificed on the stone altar. LWW begins with the four upper middle class siblings being evacuated to a great-uncle's country manor, which is different from most subsequent entries in this sub-genre. It might be the only one that was written contemporaneously. It's amazing, obviously, despite the heavy-handed Christianity.

I am not entirely sure what I read next, but it might have been Judith Kerr's When Hitler Stole Pink Rabbit, which is ALMOST a separate sub-genre, overlapping with Holocaust stories... a Jewish family from Berlin flees the Nazis, escaping slowly through Switzerland. I did not know until much later that there were two further sequels, these set in England. Those were called Bombs on Aunt Dainty, and A Small Person Far Away, which is more a story of the Cold War, oddly enough. And apparently When Hitler Stole Pink Rabbit is now a movie! Made in 2021! I will watch that.

There are a lot of amazing and wonderful Holocaust YA novels (and of course, Anne Frank's Diary), from classics like Lois Lowry's Number the Stars where a Danish Jewish girl is saved by Resistance activists, to The Devil's Arithmetic by Jane Yolen* (very hard hitting and wonderful), to Good Night, Maman by Norma Fox Mazer** (1999) -- this is about two French Jews who flee the Nazis in Paris, with their mother, but their mother falls ill and they have to complete the journey on their own... to okay this could be an entry on its own, and I am going to rein it in, and maybe devote another entry to this subgenre of YA historical fiction.***

Okay. Of home front books -- many are in England, increasingly there are several from America (in addition to those that were part of the "Dear America" historical-fictional diary series), and there are a few from Canada. Canadian: two novels by Jean Little called From Anna, and Listen for the Singing, which are about a free-thinking German family who are able to leave Nazi Germany and resettle in Toronto, where the heroine of the book is almost legally blind, but her family is not aware of this gigantic problem. They're both extremely wonderful stories, with lots of feels. Of American books on the home front... well, of course one of the most deservedly famous ones is Farewell to Manzanar about the experience of Japanese internment, by Jeanne Wakatsuki Houston. Arguably Elizabeth Enright's Melendy quartet (all but the last one) are home front YA novels, though they also were contemporaneous, and the war is viewed from a pretty comfortable distance.

Very recent US-based YA home front novels include Louisa June and the Nazis in the Waves by L. M. Elliot, and War and Millie McGonigle which is about a girl in San Diego as WWII begins. It's by Karen Cushman, another of my absolute favorite YA historical fiction authors. Probably my absolute favorite American YA novels about WWII on the home front are by a local author whom I have actually met (when she did a book talk at the school library at Bohannon Middle School where I used to work). Ellen Klages has written a trilogy and the first two are set during and just after WWII (the third is at the time of Sputnik) and OH how I wish she would fill in the middle, in the early 1950s. The first one is called The Green Glass Sea and is about the scientists at Los Alamos who built the atomic bomb... and the stories of two misfit girls who are there with their families. The second one is White Sands, Red Menace and is about those same girls after the war, as their Chemist mother (I'm simplifying; read them) works to protest the weapon she's helped build, and is alienated from her scientist husband who works with Werner Von Braun on the V-2 rocket program... They're about SO MUCH MORE than that, though. Interestingly, like the Jean Little books, these have a sub-theme of disability awareness.

There are more books set in Britain than anywhere else, I think, and I've read most of them. However, I am going to narrow my focus to one author, because I love everything she's written. I am not sure when I first read Good Night Mister Tom, by Michelle Magorian, but I loved it immediately. It is a tear-jerker. It is a story of dual redemption. It is a gorgeous picture of village life in an unspecified county in England (possibly Dorset? The film's fictional village was apparently in Buckinghamshire, but the local accents seem more pronounced than those would be, in the book). An abused boy from London is evacuated to the countryside and ends up with a gruff, cantankerous old man who is the verger of a country church. I ... I just love this book, and all of the other ones Magorian has written on similar topics: Back Home about a girl coming back to Britain after WWII, from where she was evacuated to during the war, Vermont. One of Magorian's clear interests is theater, so the American family Rusty lived with are bohemians, and fitting back into post-war upper middle class Britain is extremely difficult. Her other books are also post-war -- Just Henry is about family dislocation, post-war Labour reforms to open education up, rationing and gangs, and early 1950s cinema. A Cuckoo in the Nest explores working class life and drift from it, induced by evacuation during the war, and also the immediate post war theater world; A Spoonful of Jam is a sequel to that one, starring the younger sister, who also gets involved in local theater, there's an early 1960s sequel (Impossible!) with the youngest sibling and, of all things, a Theater Workshop vanguard director, Joan Littlewood. Finally, there's her shot at romance, very definitely a home front WWII novel, titled (in the US) Not a Swan and in Britain, A Little Love Song where three daughters of an actress on tour for the troops are evacuated to the same seaside village that features as a secondary location in Good Night Mister Tom and untangle a mystery about the former owner of their cottage. It's wonderful.

What made me write this entry today was finishing a new book -- called A Place to Hang the Moon by Kate Albus, which is definitely an inheritor of both the class position of The Lion, the Witch, and the Wardrobe and the displacement and need for a new family of Good Night Mister Tom. It's lovely. The War that Saved My Life, by Kimberly Brubaker Bradley seems to me more derivative of Good Night Mister Tom... almost a female version of it in the first person. Sigh. Oh -- and a last set... these are weird and quirky -- the Montmaray Journals trilogy, by Michelle Cooper, which feature a sort of decayed upper class family from a fictional tiny flyspeck of a "kingdom" island off the coast of England. They're interesting, for sure.

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*Jane Yolen also wrote the brilliant and not entirely YA (though I think it's fine for high school) Holocaust novel Briar Rose, one of the Tor series of modern fairy tale adaptations.

**Norma Fox Mazer, like Paula Danziger, is also one of the rare American YA authors... I guess Judy Blume, also, and certainly Beverly Cleary... who wrote of regular working class existence, in YA lives.

***This belongs in that separate entry, but I will never give up a chance to plug Kathryn Lasky's writing (except for her money-spinning Guardians of Ga'Hoole series, nary a one of which I've read)... she has written A LOT of standalone titles that interrogate fascism and the Nazis, and WWII, but the closest she's come to home front stuff is Ashes set in the lead up to WWII in Berlin, about a 13 year old German girl who loves to read and sees Nazi book banning and burning begin. Lasky's The Night Journey is a classic story (from her family's history) of Jews escaping pogroms in Poland. But she tries generally to write WWII historical YA fiction in the interstices of what is already familiar. Her three most recent books were amazing: The Extra about Leni Riefenstahl's use of Romany as extras in at least one of her blockbusters -- stuff I never knew; Night Witches about young Russian women flying fighting missions against Nazi airfields and troops (AMAZING), and Faceless a sort of semi-supernatural YA spy story set during WWII.
maeve66: (Default)
24. Is there something you wish you thought about less often?

I wish the fuck that I didn't worry so much about how my managers (that is, administrators) perceive me and whether they think I suck. Why can't I actually know I don't suck, as a teacher?

25. Which fictional world would you like to live in?

I feel like I should have at least one idea about this. Let me think for a minute. I mean, VISIT-live-in, like, not forever-live-in, right? I think there are lots, for a visit... the concents [sic] in Neal Stephenson's Anathem, if I had that kind of mathematical, logical mind. New York City in the 1910s during the garment unionizing drives, as depicted in Meredith Tax's Rivington Street and Union Square. Jo Walton's Just City, in her Philosopher Kings trilogy... and maybe the planet Plato in the final volume, though it seems too damn cold. As a subversive noblewoman in ancient Egypt in Eloise Jarvis McGraw's Mara, Daughter of the Nile. Okay, clearly I could go on for a long time with this. I'd like to SEE all of these fictional (and often but not always, historical) worlds. I wouldn't want to swap lives forever.

26. If you could design the perfect carnival or fair would would be there?

This question is meaningless to me. I am not too into carnivals, fairs, or theme parks.

27. What person had the greatest impact on your life?

My parents, for sure. All three -- my mother, my father, and my stepmother. Also, Karl Marx, Rosa Luxemburg, Ernest Mandel.

28. What was your last light bulb moment about?

Hm. Hmmmm. People should have light bulb moments, shouldn't they? I am having a hard time remembering a light bulb moment. You're putting me on the spot! Even if I think of it as a Homer Simpson D'Oh! moment, I am having trouble here.

29. If you could travel anywhere in the world to live in another era where and when would you go?

Well, for me, this is super close to the fictional world question. Times and places I'd love to visit sort of in unremarkable disguise, temporarily (not live, not swap lives) -- World War II home front US, maybe in Greenwich Village where my mother and her baby cousins lived in an apartment with my grandmother and my grandmother's sisters, while their husbands were I think mostly in the Navy. Well, two Navy and one Army? Or one Navy and two Army? As aforementioned, ancient Egypt; also Republican Rome right before Caesar crossed the Rubicon (well, any time in the ten or twenty years before that; thanks Colleen McCullough); the abolition movement in the US in the 1850s -- either in Boston, MA or in Bleeding Kansas; the Russian Revolution in Petrograd, 1917; Brighton, Sussex in 1873, when Eleanor Marx worked as a teacher there; Paris during the Commune, two years earlier; the late 1300s (well after the Plague) in a charter borough town in England, to experience the Middle Ages but not as a serf... I could go on and on.

30. What is something you'd do if you had more time?

If I were retired (to the tune of "If I Were a Rich Man...") I would want to write. I would try to write mysteries, and possibly (my stepmother's dream) fictionalize my master's thesis, though the POV would be an issue. Maybe not an insurmountable one. I was thinking about that last night in bed, as one does.

31. Which word(s) do you overuse the most?

Hm. I love words. I love words so fucking much. Maybe I overuse fucking? Not sure. When I first started teaching (lo, these 25 years ago) I said "ludicrous" a lot, often about students' behaviors. But this led to great hilarity, as the kids could only imagine Ludacris.
maeve66: (Default)
18. What were you once seeking that no longer seems important?

Same as Microbie! A PhD! I have my MA in history, and all my research done... but I never sat down and wrote the dissertation. It would be agonizingly difficult to get back in touch with the University of Missouri History Department and try to reassemble my advisor and whatever, the panel of other professors. My stepmother thinks I should turn the research into a historical novel when I retire (roll on, that hard to imagine time)... I think the race aspects might be a bit hard, coming from me.

19. When is the last time you were too hard on yourself?

I seem to oscillate between thinking I do great, and thinking I suck, at least around work stuff. I had some success dealing with this in therapy a long time ago, now (2006 - 2008? Maybe?) and should perhaps re-engage with that.

20. What are some things you should let go of?

Hm. Needing or wanting approbation from managers (adminstrators, I guess, in an education setting). Being hard on myself (see above) based on my health.

21. What material possessions make you happy?

Almost all of my possessions make me happy; that's why I have them. -- what Microbie said, exactly! My apartment is not terribly cluttered; I got rid of as much stuff as I could when I moved almost five years ago. I love everything I have, now, except for a few miscellaneous items in what was my mom's room. As a spare room, I don't think about it much, though maybe it could be a project come this summer.

22. How much personal time do you need daily to function at your best?

I get a lot of personal time, if I understand what this means, and if I didn't, I'd need it. Working from home, what joy. That may change next year (I just found out at a staff meeting on Tuesday).

23. What part of your life has surprised you the most?

Huh. If I think about what I confidently expected as a five year old, it was to be living in a commune (not sure I used that word, but) with other women. Seriously, that was my counterposition to playing "weddings" with Barbies. Well, half a surprise: I'm not married and don't expect to be, but I don't live with a group of women, either.

24. What music did you love as a child?

I have a playlist that identifies the songs (yeah, from the Top 40, I guess) I loved when I was five years old (told you, about the strength of nostalgia) -- here they are: "Top of the World" -- the Carpenters; "Black and White" -- Three Dog Night; "Windy" -- The Association; "Joy To The World" -- Three Dog Night; "A. B. C." -- The Jackson Five; "Rose Garden" -- Lynn Anderson; "American Pie" -- Don McLean; "One Tin Soldier" -- Coven; "Delta Dawn" -- (surprisingly; I did not remember that she did this) Helen Reddy. I also had a couple of 45s, one of Bob Dylan "Blowin' In the Wind" and "Don't Think Twice, It's Alright" (which, again, I don't remember that being the B-side... I would have said it was "A Hard Rain's Gonna Fall").

25. What do you know about your genealogy?

Probably way too much. My father and I both get very absorbed in it -- he's been doing it the hard way, slogging to different county records offices and Catherine House in Britain and so forth. But once Ancestry.com got going, the fever hit me, too -- it's so EASY, and easier if you have experience in history research. I see a lot of people's Ancestry Family Trees that have terrible fuck-ups because they copy anything they find and just jam it in regardless. But I cross check a lot of stuff. My dad is only interested in his side of the family, while I am interested in both my mom's side and his. As far as background, it's pretty simple: I'm more than half-Irish, er, genetically speaking (I mean, is that a thing? It sounds weird, put that way) and the rest is essentially English and a little Scottish. Seriously, that's it. For both my parents, one parent was from a predominantly Irish background, so they are (or were) about half Irish in ancestry. My sister and I are therefore a bit more than that. Now that I type that it seems odd. But that is what Ancestry DNA says! I have photos of almost everyone in the last five generations, counting from my nieces to my great-grandparents. And a lot, otherwise, too. I love old photographs. On the other hand, information dries up as soon as you get to the generation before those Irish emigrants left for the USA. I have no idea what I could get from Irish churches, for instance. Their records are generally not online. Nor is almost anything else from Ireland, sigh.

Hm. I am editing this to say that, as far as genealogy goes, it is also something that my dad wrote about in The Chronicle of Higher Education and I agree with -- starting really with Roots in the mid 1970s, searching for your roots is also a way to create social history -- the history of ordinary working people, generally speaking, since that is the majority of the world and has been in every era. When I was a TA in grad school, twice I did an early computer-using assignment where I got all 100 students in my class to get as much as they could of information about four generations of their family onto a form, and then input that information into a database -- Filemaker Pro, I bet. I used Filemaker Pro a lot, sigh. I miss it. Anyway, it was not just names and origins, but as much demographic information as they could get -- how far the person got in school, what job he or she held (or retired from), what age he or she married at, how many kids they had, place born, and more. When we pooled the data in the database, you could do really cool searches and show percentages of each generation (and gender per generation) that did certain things. It really illustrated the social trends we'd seen in the second half of the American History survey, and it was all from their own families. That's honestly why I like genealogy, in part. It IS history.
maeve66: (Default)
Day 287: I don't have a (recent) silly picture of me and friends. I'm not sure I have a picture, scanned, that would qualify as that at all, ever.

Day 288: I don't post on Tumblr. If I grudgingly admit that I can substitute Livejournal for that other thing, the last thing I posted on LJ that was NOT part of this meme was about horrible beginning-of-the-year teacher meetings.

What I am doing right now, apart from being so busy with teaching that I do not have time to write daily 365 entries, is being obsessed with Ancestry.com. Have I already said this? I am sure it is a deep Mormon plot to more easily retroactively convert and baptize all my dead ancestors -- and all your dead ancestors too -- but my god it's useful. And since I don't give a fuck about religion anyway, why should I care if Mormons imagine they've swelled their heavenly host with a parade of dead Millers, Meeks, Dobbinses, Wardingleys, Priests, Forans, Quirks, McCanns, Wilkinsons, Grindles, Dinsmores, Gobles, and so on back.

Notice that essentially my background is English, Scots, and Irish. But mostly English and Irish. They very dedicatedly married each other, going back hundreds of years on all sides. We're not much of an American mixture, really. My sister and I thought there were some Germans somewhere, but it turns out not -- just, my great-grandmother's mother married a German guy after her deadbeat drunk Irish husband either died or was divorced. He died in 1891, and she was having two more kids by the German guy by 1899, so I say it was death, and not divorce. I thought divorce sounded funny for back then in The Olden Days.

Anyway, it is completely, completely addictive. You can link up to other people's public genealogies and check where your information overlaps, and that allowed me to (checking documents, too) push back several generations beyond anything I'd imagined possible, at least with the English. Not with the Irish, or the Yorkshire estate workers. Their roots go to about the mid 1700s and stop.

I have a stupid child-borne pathogen of some sort this weekend -- go back to school, get all their germy germs, every year. It has made me cough and sputter and have a miserably sore throat and be unable to go out and about. But at least it hasn't made me unable to sit at a computer. There's that.
maeve66: (aqua tea icon)
Hahahaha. Let's see. It was my... (depending if you count my credentialing classes, which I am not intending to) 22nd year in school -- three years getting my MA, and three years to ABD, hurrah. It was good. I got to be an Instructor, so I had 100 undergraduates hanging on my every lectured word twice a week, and I was all experimenting with pre-Power Point technology; I'd made hundreds of gorgeous transparencies of primary source photos and graphics, and I put them up as I lectured -- the second half of the American History Survey class, from Reconstruction to the Present (I actually got to Reagan, which was my goal; I was very, very proud. Surveys never get that far.) I actually brought the class to tears in my Triangle Shirtwaist Fire lecture. And I worked in more about the life and times of the Communist Party than you'd ever imagine in a regular US History Survey class, ha.
maeve66: (some books)
Next up, one of the best historical YAF authors I know -- she reminds me of Laurence Yep, in fact, partly because it's her interest in her own family history and its intersection with American history that motivates her writing. I very much like that motivation.

The first Mildred D. Taylor novel I read was definitely Roll of Thunder, Hear My Cry, and again, I don't remember exactly how old I was when I read it. I was probably eleven or so, and had already had several years of family indoctrination (and then, elementary school indoctrination) about the Civil Rights Movement and black history in the United States. Thus, the subject and details of this book were not a revelation to me -- but, as with Yep, again, the characters were, because like some of my favorite authors (Yep, Cynthia Voigt, Kathryn Lasky, K. M. Peyton, Peter Dickinson) they were round, instead of flat. They had flaws and nuance and critical faculties and were opinionated. In fiction, apparently, I like people who argue with me. Maybe sometimes in real life, too.

Cassie Logan is the main character in Roll of Thunder, Hear My Cry, and she is memorable. She's sassy verging on bitchy, she's bossy, she's loyal to her family, but she doesn't suffer fools gladly, not even within her family. And she's very aware of her situation and the world she lives in, which is 1930s Mississippi. The Logan family (based largely on Taylor's own uncles, aunts, and grandparents) is an anomaly in Mississippi in the 1930s, in that they own their own land. Cassie's grandfather, born in slavery, bought it in the 1880s, and that story is told in the complicated and fraught novel The Land, which is the most recent thing Taylor has written, I believe.

In Roll of Thunder, Hear My Cry, Cassie's father must leave the family and go to work along the Natchez trace, as a timber worker -- it's not specified whether he is a lumberjack or (more likely) a steel driver, one of the men on the gang that lays track for the miles and miles of spur lines of RR, which is how the lumber companies reached into the Piney Woods to fell trees and get them to sawmills. While he's gone, the constant -- environmentally constant -- racial tensions rise in the community, and a stupid young friend of the family gets caught up in a stupid crime and is threatened with lynching. There are many, many subplots, some of which shed an interesting light on pre Brown V. BoE schooling in the South, but local black families' reaction to gouging white storeowners and the threat of a lynching are the focus, by the end. The book does an excellent job showing how the CRM was prefigured on a daily basis by people actually living in the communities which later became famous in the 1950s and 1960s. And the protagonists are the people whose struggle will free themselves -- all of Taylor's books are fantastic for that alone, that she permits no easy white alliances. There *are* sympathetic whites, but they are very minor characters and they are not viewed as simple heroes.

There is a series of full length novels about the Logan family -- Roll of Thunder, Hear My Cry, Let the Circle Be Unbroken, The Road to Memphis, and the prequel, The Land... but there are also short stories published individually in slightly (not much) simpler language, meant for kids whose reading abilities would be daunted by novels the length of the others. Plus, these are focused retellings of family stories. They are a record of race relations in the 20th century, and they are not simple and happy, either. A few of them feature a white boy whose family are typical poor white racists, but who, himself, tries again and again to befriend the Logan children -- who is beaten for this, by his brothers and father. Even Jeremy Simms is not treated as a hero, and his overtures to friendship are not welcomed, ultimately. Taylor's books are not simple to read, but they are very rewarding. The short stories include: The Well (about the Logan well being poisoned by the Simms, IIRC); Mississippi Bridge, which is kind of horrifying and moving, about a flash flood; The Friendship, which is the underside of the stock story of older-black-adult-befriends-innocent-young-white-kid; The Gold Cadillac, which is about what happens when a black man rises above his station in consumerist terms... hm... Song of the Trees, which is about the Logan family defending their land by any means necessary. That may be it. Let me check Wikipedia or Amazon. Ha -- *I* was more complete than Wikipedia, and for the first time in my life, I have edited a Wikipedia page.
maeve66: (Default)
This was always a big holiday in my house, when I was growing up. It involved going to political parties in the evening, with music and dancing and speeches and fundraising. I was a little taken aback to find, when I was older, that most people don't celebrate it. In Cuba, however, my father and stepmother and mother (who were vacationing together there, in 1994) got a flower and a kiss on the cheek from people in the streets.

Anyway -- Happy International Women's Day, Livejournal folks!

My niece is wondering who to do her March-is-Women's-History-Month report on. Her father is pulling for Helen Keller, socialist wonder woman. I like a lot of the international possibilities -- especially Alexandra Kollontai, who I memorialized this month in the March/April issue of Against the Current, with a slightly obnoxious article on Wikipedia and revolutionary women. But here is a list, off the top of my head of women who are interesting in history. I cannot limit it to Americans. Feel free to add! I'm surely deficient in lots of areas:

"Lucy" and other forebears learning to live in a dangerous environment
Venus of Willendorf -- statues representing Mother Goddesses
Hatshepsut, of Egypt (okay, I don't often cave to the Elite Women thing, but she's always fascinated me)
Sappho
Boudicca
Queen Eleanor of Aquitaine (see Hatshepsut)
Artemisia Gentileschi, Renaissance painter
Nzingha, a princess in West Africa who resisted the Portuguese
Sacajawea
Abigail Adams
Angelina and Sarah Grimké, abolitionists
Elizabeth Cady Stanton
Susan B. Anthony
Harriet Tubman
Sojourner Truth
Florence Nightingale
Clara Barton
Julia Morgan, California Beaux Arts architect
Victoria Woodhull, socialist, free lover, US Presidential candidate with Frederick Douglass, 1872
Jane Addams
Florence Kelley
Lucy Parsons
Helen Keller
Mother Jones
Charlotte Perkins Gilman
Elizabeth Gurley Flynn
Rosa Luxemburg
Clara Zetkin, FOUNDER of International Women's Day!!! Represent, German SPD!!!
Inessa Armand
Alexandra Kollontai
Nadezhda Krupskaya
Natalya Sedova
Raya Dunayevskaya
Dolores Ibarruri
Dr. Antoinette Konikow
Rosa Parks, especially if she was closer to the CP than one might think.
Ella Baker
Valentina Tereshkova, Soviet astronaut


My niece would add Eleanor Roosevelt and Shirley Chisholm.

ETA: Lady Murasaki, Harriet Beecher Stowe, Louise Michel, Christine Dargent, Eleanor Marx, Emma Goldman, Margaret Sanger, Marie Curie, Jeannette Rankin, Benazir Bhutto
maeve66: (Default)
For March, as Women's History Month, I am telling students about various women in French history, in chronological order. The first woman the internet told me about (more than I already knew about her, which wasn't much) was Sainte Geneviève, the patron saint of Paris. She's actually much cooler than most martyred-by-violent-rape saints.

The semi-firm dates: 422 - 512 CE. Here's my mangled version of her story: she was apparently the daughter of an educated and well-off couple in Nanterre, only what, 200 years since the fall of the Roman empire? People in the Gallic regions spoke Langue d'Oc and Langue d'Oeil still, and had names that sound more Latin than anything else, though hers is derived from the Gaelic for "the white wave" -- genovefa, according to the internets. It was a site about Celtic saints, so who knows.

Anyway, she was a bright and brainy seven year old when Germanus, the Bishop of Auxerre, stopped in Nanterre, spoke with her parents at Mass, and tried to entice her into the only career open to women who didn't want to marry and have kids, the Church. Several years later, around age 15, she travelled the short-ish distance to Paris and took the veil.

She's famous not for miracles, per se, (a relief to me, atheist that I am, reciting this stuff to credulous thirteen year olds) but for rallying women to prayer (twice) in a war-threatened city. The first time, Attila the Hun was nearing Paris, and the men of Paris were fleeing, and she rallied women to the church to pray to god, and the men were so shamed that they stayed. At the last minute, the Magyars (or whatever -- the Huns?) swerved south to Orléans and were stopped before they got there.

The second time, Childeric of the Franks was beseiging Paris and supposedly she gathered some laymen and organized boats on the Seine, under cover of darkness, to get through the enemy lines to outlying villages, where they collected grain to bring back to the city the same way, thus breaking the siege, in part.

Childeric won anyway, but was impressed with her and lenient to the city. She tried to convert him to Christianity and failed, but is credited with converting his son Clovis, who was then the first Christian King of the Franks.

Apparently she was known from Ireland to Byzantium during her lifetime, and all of it without magical intervention.

Next week, I'll do Eleanor of Aquitaine and Jeanne d'Arc, and the week after that, I'll leave behind the church and royalty, and do Charlotte Corday and Manon Roland, and the week after that, Louise Michel (my absolute favorite) and Marie Curie.

If anyone has other suggestions, I'll be glad to hear them. I don't want to do Marie Antoinette except to curl my lip at her. I am considering George Sand, but I've never read any of her work. Camille Claudel is depressing as hell.

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